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"Give me my answer," he says, sternly.,

"Mother, Violet has promised to marry me," he says abruptly. "Haven't you, Violet?",

"So you think now; but by and by you will find the pressure too great, and you will go with the tide. If I were to work for years and years, I could scarcely at the end achieve a position fit to offer you. And I am thirty-two, remember,—not a boy beginning life, with all the world and time before him,—and you are only twenty. By what right should I sacrifice your youth, your prospects? Some other man, some one more fortunate, may perhaps——",

"I would rather die than be unkind to you," says Mona, running her fingers with a glad sense of appropriation through his hair. "But this is what I mean; your mother will never forgive your marriage; she will not love me, and I shall be the cause of creating dissension between her and you." Again tears fill her eyes.

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But Mona in such a case as this prefers being "taken in" (though she may object to the phrase), and in process of time grows positively fond of Lady Rodney.,

"I have read so few," she says, wistfully, and with hesitation. Then, shyly, "I have so few to read. I have a Longfellow, and a Shakspeare, and a Byron: that is all.",

A strange feeling of shyness is weighing upon her. Her stalwart English lover is standing close beside her, having risen from his chair with his eyes on hers, and in his shirt-sleeves looking more than usually handsome because of his pallor, and because of the dark circles that, lying beneath his eyes, throw out their color, making them darker, deeper, than is their nature. How shall she bare the arm of this young Adonis?—how help to heal his wound? Oh, Larry Moloney, what hast thou not got to answer for!,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.